获奖者：

作品简介：

公司总体的形象希望能呈現现健全稳定的金融企业面貌，设计在遵循这樣的使命與前提下，寻找符合的設計語彙以及内在逻辑，最终在体块的空间穿插中找到具有说服力的平衡，在点线面上空间的节奏感，通过不同材料的运用，大理石、不锈钢、木饰面的呼应，找到现代语言和传统文化的对话，让客户通过沉浸式的环境感受到一个金融公司的穩健实力和企业文化。 前厅的主景通过中国借景的手法，让会议室和前厅更好的互动，圆的造型象征圆满丰盈，意大利鱼肚纹的大理石凸显中国的写意文化和财富的完美结合， 大師吴冠中的中西结合油画恰如其分能体现这一韵味。 企业logo是一把有中国传统图形的鑰匙，意在为客户打开财富大门，设计通过巧妙的变型，把这一元素以各种形式融入到空间里，如屏风、隔断、天花甚至灯具，让客户和受众能清晰的找到空间个性的歸屬感。 会议室的设计考虑到会所会客需求，在满足基本会议前提下，丰富了空间的层次感，特别是天花和墙面的处理上，结合基本元素，中式古典的美和现代材质相结合，简约而不简单。 设计师在这个设计中始终贯穿中国文化的元素，在现代和传统中寻找提炼，在感性中窥探现实。藉由此設計找到表達的逻辑，既不分割传统文化和现代生活的關係，也不單單只複製文化符号而已。 The overall image of the company is that of a fiancial enterprise which is sound and stable. The designer thus seeks a lexicon of design and inner logic in keeping with this mission and prerequisite. The end result is to find a convincing balace among the intertwing of spatial massing, and a spatial rhythm among the points, lines and planes. Through the use of different materials—such as the interplay of marble, stainless steel and wood—a dialogue between modern language and traditional culture is made possible. This immersive environment enables the clients to actually feel the solid strength and corporate culture of a finacial company. The main feature of the lobby draws on the idea of view borrowing in Chinese architecture and facilitates better interaction between the conference room and the lobby. The circle symbolizes fullness and abundance; the Italian fish-belly white marble highlights the perfect combination of the freehand (“xie yi”) style in Chinese art and the meaning of wealth. Master Guanzhong Wu’s oil painting, which combines the East and the West, fittingly manifests such lasting appeal and charm. The logo of the enterprise is in the shape of a key in a traditional Chinese pattern, and is meant to open the door of fortune for its clients. Through ingenious transformation, the design incorporates this element into the space in different forms, such as screens, wall partitions, ceilings or even light fixtures, allowing the clients and other viewers to find a clear sense of belonging in the uniqueness of the space. The design of the conference room takes into account the needs of receiving guests in a clubhouse. With the prerequisite of meeting basic conferencing needs, it also enriches the spatial layering. The processing of the ceilings and the walls, in particular, combines the basic elements of the beauty of Chinese antiquity and modern materials, making CURA Investment Office unadorned but not simple. In this masterpiece, the designer turns to both modernity and tradition, and refines elements which have been consistent in Chinese culture, giving a glimpse of reality through expressing feelings. Through the design, the designer finds a form of logic to express, thereby neither cutting off traditional culture from modern life, nor replicating a mere cultural symbol.