林语堂笔下的闲雅富贵院落， 正是众人心目中的终极梦想居所。 院子｜是中国传统文化最强烈的一个符号。 院落｜无疑是中国人绵延至今的居住情结。 五千年来，中华民族追求的“天人合一”思想，体现在建筑形态上， 便是追求“人”“建筑”“自然”的融合， 成就了别具一格的院落文化。 方寸之间，兼纳天地。 院里春秋，沉淀了中国人关于天、地、人的居住哲学 PCD品仓设计｜南通如苑•四水归堂 打造出“有仪式感的中式庭院” Lin Yutang's elegant and rich courtyard, It is the ultimate dream residence in people's mind. Courtyard is the strongest symbol of Chinese traditional culture. Courtyard is undoubtedly the living complex of Chinese people. In the past five thousand years, the Chinese nation has been pursuing the idea of "the unity of man and nature", which is reflected in the architectural form, It is to pursue the integration of "human", "architecture" and "nature", A unique courtyard culture has been achieved. Square inch, and accept the world. The spring and Autumn Period in the courtyard precipitated the Chinese living philosophy of heaven, earth and man PCD product warehouse design Nantong Ruyuan · Sishui Guitang Create a "Chinese courtyard with a sense of ceremony"

“真正的诗意人居，是遵从内心的期许。”地产销售中心的迭代与创新，与时代语境密不可分。在倡导回归人居生活本质的背景下，当下地产行业走向更理性的发展方向。调研并完善用户多维使用场景与服务，将前期销售与后续的社区化运营有效结合，避免拆改带来的浪费，是开发商与设计机构在共同探讨的课题。尚石设计将“以人为本”作为做产品研发的前置理念，深挖用户需求并通过设计去打通闭环。 旭辉地产与尚石设计共同研发的新一代销售中心，沈阳旭辉·東宸府项目销售中心是一栋独立的永久性建筑，在承担前期销售功能的同时，后续将承载商业化、社区化服务，以书店丰富精神世界，让人们诗意地栖居在这片大地上。 从时间轴线与功能逻辑的思考，建筑室内一体化的设计语言和符合当地居民真实需求的潜在情感，到一个以楼盘销售和多功能复合型书店为业态的场景呈现，旭辉地产与尚石设计关照了当下与未来，在城市社区里与居民漫游“书之谷”。从书与阅读中提取灵感，将书页的线条与折角等意会成为建筑与室内设计的语言元素。独特的建筑外观犹如书的一角被折下，室内墙面亦做了折面处理，呼应建筑造型。在深长幽静的峡谷里探寻属于自己的精神世界，寻一处安全感和舒适感兼具的沙发，一杯咖啡，一本书，在一个卸下防备的空间场景，享受心灵片刻的宁静。 “An authentic poetic dwelling allows one to following his/her genuine wishes.” The upgrading and innovation happen in the real estate sales center is closely related to the change of times. In the context of promoting the returning of life itself, the development of modern real estate industry is now heading towards a more rational direction. By undertaking thorough study and keep improving multi-dimensional using experiences and services, early stage sales get to organically combined with following community operation, so as to avoid the waste of demolish and renovation. This has become the common goal that both the developer and design consultants try to achieve. Suns design adapted “Human-oriented” product as the premises of the research and development of this project, trying to build up a closed loop with design by digging up into the users’ needs. This project is built as a permanent independent architecture. It services the selling function at the real estate’s early stage and will shoulder the commercial and community functions. With the book store inside, it helps to richen the internal world of residents, so that they can live a poetic way of life. From thinking from the chronological and functional perspective, to matching the design language that combines the architecture and the interior with true emotional demands of local residents, and further to the integration of property sales center and books store, CIFI and Suns Design have the whole design not only services the current needs, but also catering the future demands, successfully creating a city center “Book Valley” for residents to wandering around. In the future, here will become a cultural living room for the community and even the whole city… the narrow and high entry foyer resembles a mysterious valley that tickles people’s curiosity and the willing to discover.

项目位于草厂北巷，毗邻钟鼓楼。改造前，这里是一家即将被弃用的胡同民宿，拥有7间客房，每个房间风格各异，庭院略显嘈杂。在改造预算十分有限的条件下，建筑师提出”微介入”的策略，尝试用较小动作，较低成本的建造，实现四合院的更新。 改造中，只拆除较为破败狭小的东屋、南北房的两道隔断墙及卫生间。置入三个方盒子，一个加于院中，作为茶室；另两个融入南北两房，作为开放办公室与多功能室。其余三个房间，厨房及两个客房基本保留原有格局：一个客房改为小茶室兼会客室，另一个客房作为员工休息室而整体保留。 茶室设计的思路源于对场地中“时间”的思考。建筑师有意在这里连接杏树、茶室与太阳，探讨“时间”在这个场地中所带来的变化。树与茶室相距6米，树冠半径正好在5-6米之间，树高13米。太阳一天的移动使院中的树影随之而变：午后树影开始进入茶室圆窗，并在茶桌上产生粼粼波光，暗调的茶室也由于光线的进入而产生特别的仪式感，在光影游走中，于3-4点之间达到高潮。 圆形窗的设置，是对茶室空间虚与实的思考，即充当一个光线的收纳器，也是对视线的引导，在透与不透之间，增加院子的空间层次。由外而内，茶室是院中对景；由内而外，茶室是沟通人与自然的媒介。 新建茶室使用了钢结构，结构构件外露，强调空间中的线条关系，与原建筑的木结构相呼应。双层茶空间不仅加深了与杏树的对话，创造了不同的喝茶体验，还可在露台上远眺钟鼓楼，在空间上与城市产生连接。 The project is located at Caochang North Lane, adjacent to the Bell and Drum Tower. Before the renovation, it was a Hutong homestay about to be abandoned, with 7 rooms of different styles and a slightly busy courtyard. With a very limited renovation budget, the architects proposed a strategy of “micro-intervention”, trying to realize the renewal of the quadrangle courtyard with a smaller action and a lower cost. During the process of renovation, only small portion of the house were demolished: the dilapidated narrow east room, the two partition walls of the south and north room and the toilet. Three boxes were added. One was added in the courtyard as a tea room and the other two were integrated into the north and south rooms as an open office and a multi-function room. The rest three rooms, one kitchen and two guest rooms were basically kept in the original layout with one guest room converted into a small tea room and meeting room and the other retained as a staff lounge. The idea of the tea house comes from the contemplation on “time” on the site. The architect intends to connect the apricot tree, the tea house, and the sun to explore the changes brought by "time" to this site. The distance between the tree and the tea house is 6 meters. The crown radius of the tree is 5 to 6 meters and the tree is 13-meter high. The movement of the sun throughout a day projects the shadows of tree in the courtyard, which comes through the round window of the tea house in the afternoon, reflecting sparkling lights on the table. A sense of serenity is emerges in the room as the light enters, which reaches a climax in the lights and shadows around 3 to 4 in the afternoon. The circular window is out of the consideration of the void and solid space of the tea house, which acts as a receiver of light, and guides the sight at the same time so that it increases the spatial level of the yard. While looking from the outside to the inside, the tea house is the opposite scenery of the courtyard; from the inside to the outside, the tea house is the medium of communication between man and nature. The steel structure is used for the new tea house. With the structural members exposed, it emphasizes the relationship of the lines in the space and echoes the wooden structure of the original building. The terrace railing is reduced in height to allow the tea drinkers to get themselves hidden inside the gables and involved in the environment. The double-layer space of the tea house not only deepens the communication between man and the apricot tree so as to create different experience about tea drinking, but also connects with the city by overlooking the Bell and Drum tower from the terrace. The courtyard is built of black bricks and arranged along the east-west direction. With the strips of concrete embedded between the black bricks, the horizontal pattern widens the width of the narrow

小跟班是一款便携式户外筋膜枪。尺寸小巧，用户能够轻松随身携带。外观使用细纹磨砂效果处理，连接处使用电镀工艺，具有现代感。材质上使用了亲生物金属，特别设计了手握角度，能够为用户提供舒适的握感。 这款筋膜枪配备了四个可替换枪头，为用户提供覆盖运动全过程的肌肉健康保护。除此之外，这款筋膜枪还配有EMS低频电子脉冲按摩头，通过仿肌肉生物电信号引发肌肉收缩运动，更深度地帮助排解运动中堆积的乳酸，激发肌肉活力，缓解肌肉炎症，减少运动伤害。运动前能够最大程度地唤醒肌肉，提升用户的运动表现，运动后可有效协助用户减脂塑形，助力用户运动康复。尾部特别设计LED灯，具有照明模式和快闪sos呼救模式，户外使用中能够为用户提供应急照明帮助。出风散热孔隐藏在尾部的金属蚀刻网下，能够有效散热。 小跟班适用于室内运动、办公室久坐以及户外登山多种运动场景。 The Sports Gennie is a portable outdoor fascia gun. Its compact size makes it easy to carry for users. The exterior is processed with a fine-grained frosted effect, and the electroplating technology is adopted at its joints to lend a touch of modernity. The product is made of biophilic metal, and its handling angle has been specially designed to provide a comfortable grip. Equipped with four replaceable heads, this fascia gun provides users with protection for muscles throughout their physical exercise. It also has a massage head with an EMS low-frequency electronic pulse, triggering muscle contractions by mimicking the signals of muscle bioelectricity, which further helps expel lactic acid accumulated during the workout, stimulate muscular energy, relieve muscle inflammation, and thus reduce sports injuries. The product can awaken muscles to the maximum extent to enhance users’ athletic performance before the exercise, after which it also provides effective assistance to users in losing fat, shaping figures, and exercise rehabilitation. LED light is installed at the bottom with the illumination mode and flashing SOS distress call mode, offering emergency lighting help to outdoor users. The ventilation hole is hidden under the etched metal mesh at the tail to dissipate heat effectively. The product works on indoor sports, sedentary office jobs, outdoor mountaineering and a variety of other sports settings.

得益于趣味性外观和实用舒适的功能，JACE婴童睡袋以“婴儿抱被”为设计理念，将床褥、被子、枕头三合一，无需固定，为用户提供一种便携的，使用场景多样的儿童睡袋。舒适安全，给0-2岁宝宝一个沉浸式的睡眠体验。 JACE希望每一个宝宝都能成为自己人生的梦想家。以入睡的宝宝进入梦的世界为主题，JACE将西瓜切片和披萨切片设计成宝宝睡袋，希望借助这两种日常生活中接触到的食物，吸引宝宝注意力，帮助宝宝认识外界事物，让宝宝在睡梦中也能充满对外界事物的幻想。根据0-2岁宝宝的视觉与信息处理能力，简化了背景和环境的装饰，并对颜色的明度、饱和度进行柔化调整，满足孩子的信息摄取需求。色彩柔和简洁，没有渐变色的使用，保证视觉舒适度，从而保护宝宝视力。 脖颈处采用碗扣式设计，舒适而且没有窒息风险，保证宝宝的睡眠安全；宽口设计与整扇枕头搭配，使得上半身没有束缚感；下摆收拢，保温的同时避免宝宝频繁翻身；枕芯、被芯采用双片设计，高度可以调节，春秋冬三季可用；开放式拉链可更换尿布。枕芯采用100%抗菌纤维，被芯采用60%的恒温纤维和40%的抗菌，透气性好，减少细菌繁殖；面料采用精梳新疆棉纱活性工艺和活性印染，柔软亲肤；产品达到FDA可咀嚼级别，更加舒适安全。 Thanks to its interesting appearance and practical and comfortable functions, the JACE kids’ sleeping bag, based on the design philosophy of "baby hugging quilt", combines bedding, quilt and pillow with no need of being fixed, providing users with a portable children's sleeping bag which can be used in various scenes. It is comfortable and safe, giving babies of 0-2 years old immersive sleeping experience. JACE hopes that every baby can be the dreamer of his or her life. With the theme of the baby getting into the world of dreams, JACE designed baby sleeping bags in the shape of watermelon and pizza slices, in the hope of attracting babies’ attention and helping them learn about the outside world by using the food that they have access to in daily life, so that babies can fantasize about the external things even in dreams. According to the visual and information processing ability of 0-2-year-old babies, the decoration of the background and environment has been simplified, and the brightness and saturation of the colors are softened and adjusted to meet babies’ needs for information gathering. Its colors are soft and simple with no use of gradient colors to ensure babies’ visual comfort and protect their eyesight. The position of the neck has a reversed bowl-shaped design, which is comfortable and has no risk of suffocation to ensure babies’ safety in sleep. The design with a large opening matches with the whole pillow, so that the upper body will not feel constrained. And its lower hem is drawn in to prevent babies from turning over frequently. The pillow and quilt inner have two-piece designs with adjustable height, which allow it to be used in spring, autumn and winter. The open zipper makes it easy to change diapers. The pillow inner is made of 100% antibacterial fiber, and the quilted inner is made of 60% thermostatic fiber and 40% antibacterial fiber, which has good breathability and can reduce bacterial growth. The fabric is processed with the reactive technology and reactive dyes of combed Xinjiang cotton yarn, making it soft and skin-friendly. The product has reached the chewable level of FDA, which is more comfortable and safer.

Punta de Pite是位于智利海岸上的两个海滩城镇位于Zapallar和Papudo之间的一个房子，位置于一个突出入海的岬角。项目为一对夫妇和他们的孩子设计的第二个家。这片土地面积6500平方米，长近100米，陡坡20米。该项目的主要目标之一是创建一个横向平面，一个允许居住并突出景观、海景和日落的大平台。该提案的想法是将公共和私人项目分成两部分，这使得所有的房子的范围有一个连接花园的所有时间，以及减少一个大房子的形象在景观；当你在楼上的亭子里，房子的其他部分就消失了。我们一直在考虑如何恢复自然环境，即新建筑安装前存在的原生原野。重要的是，一旦项目完成，该地区的原生自然就会占据建筑留下的空隙，房子好像一直都在那个地方。 The assignment consisted of designing a second home for a couple and their three children.The land of 6500m2 and almost 100 meters long, has a steep drop of 20 meters. One of the main objectives of the project was to create a horizontal plane, a large podium that allows inhabiting and highlighting the strength of the landscape, the view of the sea and its sunset. The proposal's idea was to separate the public and private programs into two pieces disposed one above the other, relating both levels to the site's section from the upper part to the lower. This allows all the house's precincts to have a connection with the garden at all times, as well as to reduce the image of a big house in the landscape; when you are in the pavilion on the upper floor, the rest of the house disappears. The volume below is buried into the ground and it adopted a materiality that allows understanding it as a mimetic basement with the ground. It has the bedrooms that have a private garden exit placed; an exposed concrete box in which black pigments, similar to Punta Pite's stones, were sought The pavilion located above, contains the most public spaces and is absolutely transparent, which allows to integrate the natural landscape with the interior space. It's a concrete slab, a shadow, that rests on 21 steel columns, which to avoid having braces or walls that would stiffen its structure (Chile)is a very seismic country), reduce its height to 230 cm. thus avoiding the possible deformation of the columns when faced with dynamic stresses. This height enhances the horizontality of the enclosures, stressing the views always towards the horizon. The three programs that are located on that level, living-dining and kitchen, sink to achieve conform and differentiate. The plan shape of the pavilion, a three-sided amoeba, also aids in seismic behavior. The house's architecture and landscaping were working on from the beginning of the project with Juan Grimm, always thinking of recovering the natural environment, the native flora that existed before the new construction was installed. It was important that once the project was completed. The native nature of the area, occupied the interstices that the architecture left. That it seemed that the house had always been in that place.

该包装设计首创“龙宫”IP，将“四海八鲜聚龙宫”的神话故事与新潮的表现手法相结合。画面设计上，龙宫设计元素（水底宫殿、盘龙等）经过工笔勾勒渲染，配合高饱和度的传统国风色系搭配，整体画面精致华丽。IP贯穿始终，从礼盒封套到内部产品外包装，都做到了色系统一画风一致。为了避免“一次性消费”，礼盒结构巧妙设计为传统化妆匣，不但延长了使用寿命，也达到了二次传播的目的。 The design has initiated a “Dragon King’s Palace” IP, combining the Chinese myth of the battle between the Eight Immortals and the Dragon King of the East Sea with a new, trendy style. Elements, such as the dragon palace and the coiled dragon, are rendered with brush strokes and a high saturation of traditional Chinese colors, making the overall design exquisite. The IP is applied throughout the packaging in a consistent colour style. To avoid one-off use, the box can be turned into a traditional cosmetic case, which can extend the service life and promote the product for a second time.

整体设计悠然而上，设计师利用叠加效果表现出了山峦起伏之感，通过多层叠加，让立体感更为突出使得整体呈现出一种云雾缭绕，山之栾云深处的效果，让使用者抬起此物有种悠然在云深之处修行的之意，一酒壶四酒杯，酒杯摆正为杯，反之为云南大山。连绵起伏。产品既拥有了实用功能在材质上也进行了创新，以锡为料赋予酒杯不同的寓意。 The overall design is leisurely and upward. The designer uses the superposition effect to show the sense of undulating mountains. Through multi-layer superposition, the three-dimensional sense is more prominent, making the overall appearance of a kind of cloud and mist, the Luan of the mountain, and the deep cloud effect. The user can lift the object leisurely and practice in the deep cloud place. One wine pot has four wine cups, and the wine cup is placed right for the cup, and vice versa for the Dashan of Yunnan. rolling. The product not only has the practical function, but also has carried on the innovation in the material. Taking tin as the material, the wine cup has different meanings.

以云南的八个景点为主要元素提取了丽江幕府、大理苍山、昆明金马碧鸡、元阳梯田、东川红土地、建水七孔桥、昆明石林、思茅傣宅。把各地景点用线条的形式用浮世绘的绘画手法组成了全新的画面。选择了合适的杯型把八景赋予八个杯子之上。让云南的风光以全新的形式走向世界。 Taking eight scenic spots in Yunnan as the main elements, this paper extracts Lijiang shogunate, Dali Cangshan, Kunming Jinma Biji, Yuanyang terraces, Dongchuan red earth, Jianshui qikong bridge, Kunming Shilin and Simao Dai residence. The scenic spots around the form of lines with ukiyo painting techniques to form a new picture. Choose the right cup shape and give the eight scenes to the eight cups. Let the scenery of Yunnan go to the world in a new form.

整个建筑与室内场景应节目组要求需同时具备潮流零售、艺术品布展、咖啡休闲和导播工作区四个主要的功能，室内场景与道具要有相当的灵活性，满足拍摄过程中艺术布展的要求以及与国际顶级艺术家跨界合作的空间兼容度。在此基础上，室内外空间需要满足前期节目直播拍摄与后期实际经营的无缝转换与衔接。现有的古建空间远不能满足这些功能需求，需要我们在红线范围内的限制下重新梳理空间逻辑，附加新生空间与原始空间一起为潮流发生地的存在创造可能性。 此次整个设计的概念为“Flow”，两个轻盈的白色空间体块代表潮流和生活，在这片传统之地交汇，作为生活复苏，潮流重生的最好回应。同时白色屋顶的上扬态势是对传统建筑飞檐的现代诠释，保证场所精神的连贯性。针对木结构古建，我们对它进行了最大化的结构保留，仅仅对必要外立面进行了重塑。 According to the requirements of the program group, the building and indoor scene should be equipped with four main functions, which are fashion retailing, art exhibition, café region and guiding work area. The indoor scene and props should be flexible in order to meet the requirements of art exhibition arrangement in the shooting process and the spatial compatibility of cross-border cooperation with international top artists. On this basis, indoor and outdoor space needs to meet the seamless transition and connection between the live shooting of the early stage program and the actual operation in the later stage. The existing ancient building space is far from meeting these functional requirements, therefore we need to reorganize the spatial logic within the limits of the red line, and seamlessly combining the new space and original space together to create possibilities in the ‘Fourtry space’. The concept of the whole design is “Flow”. Two white color light weight blocks represent the trend and life. They meet in this traditional place as the best response to the revival of life and the rebirth of trend. At the same time, the bullish gradient of the white roof is a modern interpretation of the cornice of traditional architecture, ensuring the continuity of the spirit and terroir of the place.?About the wooden structure of ancient buildings, we maximize the structure, and only reshape the necessary facade.

建发·养云地处鹭岛核心，外坐于都市，内隐于山水，营建东方山水禅园胜景。养云轩位居山脚，面湖隔廊，山上松烟石瘴汇成山岚，顺着山势灌入轩中；而水中的雾气，在晨曦暮霭中生成，向岸边涌送。漫思提取养云轩的诗意蓝本，意在室内构建山水以“养云”，通过建构，塑造出内部的骨架，纵向的体块、横向的起伏，是以为“山”；经由动线的交互，引水景互为穿插，形成悠远的意境，是以为“水”。 The project is located in the core of Ludao Island. The design adopts oriental elements to build a scenic view of the Oriental Landscape Zen Garden. The project is located at the foot of the mountain, facing the beautiful lake, where the souls of the mountain and water meet and merge in the flowing clouds. After deliberation, the poetic blueprint of Yangyun is extracted, and the internal skeleton is shaped through construction. The vertical volume and the horizontal undulation are regarded as "mountains"; through the interaction of moving lines, the water diversion scenery is interspersed with each other to form a long-distance artistic conception.

本案是一间20年楼龄的老房子，房屋原始结构已经不能满足业主当下的居住需求。设计上打破原有界限尝试定义新的机能布局，令新的生活方式在老建筑里不断地延续。 This case is an old house 20 years old, and the original structure of the house can no longer meet the current living needs of the owner. The design breaks down the original boundaries and tries to define a new functional layout, so that the new lifestyle will continue in the old building.