小跟班是一款便携式户外筋膜枪。尺寸小巧，用户能够轻松随身携带。外观使用细纹磨砂效果处理，连接处使用电镀工艺，具有现代感。材质上使用了亲生物金属，特别设计了手握角度，能够为用户提供舒适的握感。 这款筋膜枪配备了四个可替换枪头，为用户提供覆盖运动全过程的肌肉健康保护。除此之外，这款筋膜枪还配有EMS低频电子脉冲按摩头，通过仿肌肉生物电信号引发肌肉收缩运动，更深度地帮助排解运动中堆积的乳酸，激发肌肉活力，缓解肌肉炎症，减少运动伤害。运动前能够最大程度地唤醒肌肉，提升用户的运动表现，运动后可有效协助用户减脂塑形，助力用户运动康复。尾部特别设计LED灯，具有照明模式和快闪sos呼救模式，户外使用中能够为用户提供应急照明帮助。出风散热孔隐藏在尾部的金属蚀刻网下，能够有效散热。 小跟班适用于室内运动、办公室久坐以及户外登山多种运动场景。

设计师为了使空间整体统一在设计手法上采取“少即是多”的原则。在空间处理上选择直线与简洁的体块结合，尽量不出现复杂的结构。在材质和色彩上的选择也是遵循这个原则。人才是空间的主角，一切的空间设计只是人的配角。 客厅电视背景选择橡木原色木皮一直延续到房门，视觉上形成延申感。地面材质选择灰色橡木地板与灰色沙发形成色彩上的延续统一。 楼梯踏步定制与地面相同的灰色橡木木地板，统一的材质延续到二楼。原色橡木屏风与黑钢扶手形成对抗与协调。二楼卧室墙面设计成白玻增加楼梯间的采光与互动性。一层卫生间墙体有意断开设计成长虹玻璃增加空间之间的互动。餐厅立面水泥涂层一直延续到卫生间与镜面形成画面感。 In order to unify the space, the designer adopts the principle of "less is more". In the space processing, the combination of straight line and simple block is selected to avoid complex structure as far as possible. The choice of material and color also follows this principle. Talent is the leading role of space, and all space design is just the supporting role of people. Living room TV background selection oak primary color veneer has been extended to the door, forming a sense of extension visually. Ground material selection gray oak floor and gray sofa form the continuation of color unity. The stair step is customized with the same gray oak floor as the ground, and the unified material is extended to the second floor. Primary oak screen and black steel handrail form confrontation and coordination. The wall of the second floor bedroom is designed as white glass to increase the lighting and interactivity of the staircase. The wall of the first floor toilet is intentionally disconnected, and the long rainbow glass is designed to increase the interaction between spaces. The cement coating on the facade of the restaurant has been extended to the bathroom and mirror to form a picture sense.

“女为悦己者容”，不仅仅是为了他人装扮，也是为了自己装扮。好的皮肤底子才能“淡妆浓抹总相宜”，是一种美的自信，无需艳丽的妆容，华美的外衣，从内心出发，便会裙摆飞扬。而这也是设计师拿捏着空间的尺度，将空间进行“减法”处理，拆解着每一个块面，在色彩、材质的方寸间“进退”自如。空间作为美的载体，将每一处的细枝末节都揉进空间之中，赋予了节奏感的同时，塑造出一方干净、素雅的气质，体现处柔美自信的张力。 "Women are those who please themselves", not only for others to dress up, but also for oneself. Only with a good skin foundation can "light makeup and thick makeup are always suitable", it is a kind of beautiful self-confidence, without gorgeous makeup, gorgeous outerwear, starting from the heart, the skirt will fly. And this is also the designer's grasp of the scale of the space, the "subtraction" of the space, disassembling each surface, and "advancing and retreating" freely between the colors and materials. Space is the carrier of beauty, and every detail is rubbed into the space, giving a sense of rhythm, while shaping a clean and elegant temperament, reflecting the tension of gentleness and confidence. 大厅上方采用弧形白色格栅，营造出的仪式感，有着尊重的意味，更是塑造出空间的轻盈、简洁、空旷。在空间结构元素上，以白色设计主题结合弧形板在呆板的墙面上塑造出空间序列感，体现出唯美且庄严的氛围，同时利用上方漫反射光源使空间升腾出轻柔感，让整合空间层次分明，质感跃然纸上。 The arc-shaped white grille above the hall creates a sense of ritual, with a sense of respect, and it also shapes the lightness, simplicity and emptiness of the space. In terms of spatial structural elements, a white design theme combined with curved panels creates a sense of spatial sequence on the rigid wall, reflecting an aesthetic and solemn atmosphere. At the same time, the diffuse light source above is used to make the space rise with a sense of softness and integrate the space. The layers are distinct and the texture is vivid on the paper.

《之间，至简》 Between, To Simple 家的本质不是物质的堆砌与繁重的家务；而是形式从简，回归内心。 是每个家庭成员与自己、与对方以及与物品之间的关系重新的一次梳理和对话。 The essence of home is not material stuffing and heavy housework; it's a simple form and a return to the heart. It is a reorganization and dialogue between each family member's relationship with themselves, with each other and with objects. 【之间】 从微观的层面可代表空间的尺度、留白与气场的把控与设计； 从宏观的层面可以理解为有关东西方人居、生活、文化理念之间的融合与思考。 【between】 From the micro level, it can represent the control and design of space scale, white space and aura; From a macro level, it can be understood as the integration and thinking of the concepts of human settlement, life and culture in the East and the West. 【至简】 “大道至简，精于心、简于形。”不仅是世间万物运转的最高宗旨， 也是一部分现代都市人所逐渐接受的内在化的生活理念。 【To Simple】 "The avenue is simple, good at heart, simple at shape." Not only is the supreme purpose of the operation of everything in the world, It is also an internalized life philosophy gradually accepted by some modern urbanites.

以海兔的形态美学，融合海浪、阳光的特征为创作出发点；用六角体三维参数模式将雨棚的功能从情感化体验角度切入。 （阳光） 阳光透过有色玻璃穿透到地面，随着不同的时间实时变化，传递出人、建筑物、色彩与自然的微妙关系； （意念） “海兔”曲线波动的身体造型，斑斓鲜艳的色彩；海洋波浪曲线造型，海面的光线折射；海底串游的体验，如同阳光照射海面波光粼粼的光线同时穿梭进海水里面，鱼群的游动，潜入海中的感受，综合式的抽象情感转化并隐藏在这参数构筑物里，然人群感受到另一种各自不一样的体验。

面积50平米的店铺设计内容包括了室内和外立面的改造。外立面抛弃常规做法，而选择将空间彻底开放，形成一个围绕着U字型玻璃盒子的小小庭院。可以完全敞开的弧形玻璃门，以及从室外延伸进来的地面材质，最大程度的将室内外空间贯通为一个整体，模糊内外的边界。室内空间虽然不大，但也开辟出一方庭院，店内的小树和街道旁的梧桐树交相呼应，也是街道自然元素的延展。此外，为了保证店铺在不同季节的实用性，室外休息区也安装了空调，结合入口处的风幕机，一定程度的控制室内外冷热空气交换，让客人在冬日和夏日也能获得较舒适的体验。整体通透玻璃和开放的设计将店铺完全融入到街道的环境中，也将街道和城市的风景引入店内，梧桐树木，光影变幻，来往的人群，都成为店铺的一部分。以这样的方式与自然，与城市街道对话，重新定义了室内外的边界。 The design content of the 50-sqm shop includes both fa?ade and interior renovation. For the fa?ade, rather than practicing with a conventional method, our design chooses to leave the space completely open by creating a small courtyard around a U-shaped glass box. The beautifully curved glass door that can be fully opened and the floor texture extending from the exterior work together to merge the indoor and outdoor space into a whole to the greatest extent, and to leave the inner and outer space blurred. Although the interior space is small, it establishes a courtyard so that the trees in the shop and Chinese parasol trees along the street manage to respond to each other, which can be read as an extension of natural elements of the streets. In addition, in order to ensure the shop’s practicability in different seasons, the air conditioning system is installed at the outdoor lounge area. Combined with an air curtain machine at the entrance, the system controls the indoor and outdoor air exchange to a certain extent, so that guests can get a relatively more pleasant experience in both winter and summer. The overall transparent, open and welcoming design helps the coffee shop blend into the urban context and the streetscape. Meanwhile, the design introduces street and urban scenery into the store: The parasol trees, marvelous changes of light and shadows, the crowd passing by – all become a significant part of the whole store. Through the vibrant dialogue with nature and urban streets, we redefine the boundaries between interior and exterior.

Hippo结合了全新的智能科技，专注于为用户打造一款兼具品味与安全的儿童书包。融合英伦学院风格，设计师力求以简洁、对称的设计语言传达产品的风度与优雅。产品设计了GPS定位与一键报警功能，并突破性地将其无缝融入书包的内部设计中，而不显突兀。结合其独立开发的APP，家长可以观察到儿童的当前定位，并以此判断儿童是否安全。一键报警功能允许儿童通过长按肩带上的SOS按钮 发出报警信号，吸引路人注意，同时向家长手机发送报警讯号，为儿童的人身安全增添保障。 符合人体工学的设计是HIPPO的另一特点，其具有专利的U+2多维度承托设计能够分散背负重力，使儿童背负不费力。内置护脊板，与U形中空海绵相结合，能够引导儿童打开肩部，保持挺拔的姿态，防止驼背。书包的容量设计参考人体承受极限，力图将书包重量控制在舒适范围之内，保护儿童脊椎。 HIPPO 采用 PSL 超轻皮革、海绵以及轻量发泡支撑板，使用轻量化的材料减少书包自重 。皮质表面具有良好的防水性，在书包满负重的情况下依然能浮起，避免儿童溺水事故。书包上盖特别设置反光条，有效警示来往车辆，为儿童夜间出行保驾护航。 Based on the new smart technology, Hippo focuses on creating a children’s school bag that is both tasteful and safe. The designer strived to convey the demeanor and elegance of the product with simple and symmetrical elements via blending the British style. Functions such as GPS positioning and one-click alarm seamlessly fit into the internal design of the schoolbag innovatively and naturally. Thanks to the self-developed APP, parents can know the current position of the child and thus confirm whether he/she is safe. The one-click alarm function enables children to send an alerting signal by long-pressing the SOS button on the shoulder strap to catch the attention of passersby while sending the signal to the parents’ mobile phones, safeguarding their security. Hippo is also characterized by the ergonomic design, whose patented U+2 multi-dimensional bearing can disperse the gravity of the back and thereby allow children to carry the bag effortlessly. With its built-in spine-supporting board and the U-shaped hollow sponge, it guides children to open their shoulders and maintain an upright posture to prevent hunchback. The capacity of the bag is designed based on the human body’s maximum tolerance, to keep its weight within a comfortable range and protect children’s spines. HIPPO adopts various lightweight materials such as PSL ultra-light leather, foam and the lightweight foam support plate to reduce the net weight of the bag. Due to the good water resistance on the leather surface, the bag can float even when it is in full load to prevent children from drowning. The top cover of the bag is specially designed with reflective strips to alert the passing vehicles, ensuring children’s safety when they go out at night.

随着消费水平的提升和用户群体的年轻化，戴眼镜不再单纯为了满足人们的生活需求，还承载着人们对时尚和个性化的追求。因此，我们决定突破传统眼镜店重展示、缺乏个性风格且不甚美观的印象，打造一间功能与个性兼具，且富有用户体验感的“视光学实验室”。 设计灵感来源于镜片的聚焦调节原理，由此形成了由外向中心聚拢的空间布局及设计语汇。在店铺入口处，我们以新品展示区为中心打造了一个通高的“核心筒”；“核心筒”由透明亚克力圆管与错落有致的白色灯管围合，成为空间的视觉中心。天花设置的灯光及地面嵌入的金属向核心筒“聚拢”，意在指引顾客的目光向中心的新品展示区“聚焦”。 为了强化引导效果，我们运用具有光感和充满时尚气息的金属及镜面，在视觉上连接了不同空间，增加空间层次感，让顾客沿着光的轨迹去探索海信光学眼镜的品牌故事及品牌的工匠精神。店铺入口的右侧加入凹凸透镜墙的设计，我们希望顾客通过与透镜墙的互动了解镜片的原理。其次，我们通过裸露展示柜的结构将细节之美放大，向顾客呈现了品牌精确的专业态度。 我们从镜框和镜片的材质搭配中获取灵感，运用素色金属与透明亚克力奠定了空间专业明净的调性，配以丰富的灯光效果，营造出“视光学实验室”明亮、精细、专业的氛围。 As the user group becomes increasingly younger and upgrades consumption, wearing glasses is no longer just to meet people’s living needs, but also showcases their pursuit of fashion and personalization. Therefore, we decided to break the stereotype that traditional optical stores focus on display, lack personalized styles and do not look attractive by creating an “optics lab” that fuses together functions and personality with strong user experience. Inspired by the principle of focusing control of the lens, the spatial layout and design elements are characterized by the convergence from the outside to the center. At the entrance of the store, we center on the new product display area and built a tall “core tube”, which is surrounded by transparent acrylic round tubes and well-arranged white tubes, making it the visual center of the space. The lights on the ceiling and the metal embedded in the floor “converge” to the core tube, in an effort to guide customers to set their eyes to “focus” on the new product display area in the center. To strengthen the guiding effect, we use light-filled and fashionable metal and mirrors to visually connect different spaces and add a sense of layering to the space, allowing customers to follow the track of light to explore the brand story of Hisense Optical Glasses and its craftsmanship. On the right side of the store entrance lies a concave and convex lens wall, in the hope of allowing customers to understand the principle of lenses through the interaction with the wall. Moreover, we highlight the beauty of details through the structure of the exposed exhibition case, presenting the brand’s professional attitude on precision to customers. Inspired by the material matching of frames and lenses, we use plain metal and transparent acrylic to set a professional, limpid spatial tone equipped with rich lighting effects, so as to create a bright, exquisite and professional atmosphere of the “optics lab”.

这款名为 AZNOM PALLADIUM 的豪华车可以应对任何地形，结合了运动型 SUV 的多功能性和豪华轿车的优雅。它由 CAMAL STUDIO 设计，建于意大利，旨在恢复过去著名的意大利车身商店所经过的道路，那里的每辆车都是用细心和热情手工制造的。计划为这个系列生产有限的10辆车，将以如同定制西服般同样的方式为客户量身打造最为适合其气质的车辆。通过选择和充分定制的细节，这款车型将成为该品牌一个创新的关键一员。

发现传统品牌的新生命力——大鸭梨烤鸭店成都万科天汇分店 食物是文明的良好体现，也是城市的过去和现在。 中国人自古以来就擅长品尝食物。四川是中国重视美食和审美的地区。以其优秀的食品特性，培育了世代敏锐的味蕾。 大鸭梨烤鸭店融合了中国皇家御膳和北京市场菜肴，深深吸收了中国饮食文化的精华。凭借二十多年的餐饮市场经验，它在成都开设了一家新的餐厅，以推广北京的饮食文化和提升品牌形象。餐厅由吴为设计，是餐饮空间设计的缩影。 如何保持一个老品牌无穷的生命力是一个巨大的挑战，但在这个项目中，设计师既面临着品牌形象升级的挑战，也面临着融入当地文化的挑战。 红色是庄严的中国皇家建筑的象征，也是川菜辣味的典型标志。这种颜色在这个项目中以视觉冲击的形象呈现，唤起味觉记忆，同时唤起民族文化。 天花板表面用红色藤条编织，营造出宏伟的环境。金属格栅划分功能空间，以满足商业需求。空间的维度在水平和垂直方向上串联，丰富了层次，整合了整个空间。 冷色烟熏黑色仿古砖墙和地砖减少了暖红色带来的不安和焦虑，实现了颜色和材料温度之间的人海万花筒(电影)。 在大面积的红色中，最突出的部分是藤条做成的树屋。像其他原材料如砖和木材，坚实的编织图案从楼梯入口缓慢上升，并最终延伸到座位。 树屋就像一个童年的梦想，代表着人们对孩子心灵的追求。藤条形成了起伏的形状，在无限的温柔中编织出一幅美丽的画面，唤起了食客们最纯朴、最真实的记忆。 用原木制成的茶具架可以将茶具和茶具放在一起，在耀眼的红色空间里成为沉思和放纵的角落。除了沉浸在烤鸭的味道和香味，食客可以在这里喝茶，开始一个不同的用餐体验。 车厢内部仍然是以红色为主色调。与热情的公共用餐区不同，这里有更多的私密和庄严的气氛。竹编织纹理的推拉门以中轴对称的形式划分空间，通过门的开口传达皇室高贵的气质。 正如世界上没有两片相同的树叶，市场上也不会有两个相同的商店。只有当品牌的价值和灵魂能够清晰地表现出来，品牌才能不分时间和地域地保持生命力。

梦， 烟火。 光， 绽放。 有人把梦想，吹成了泡泡； 闪着彩虹的光，在空中飞翔却像烟火，在破灭时盛开； 带着自己的愿景，在草坪上奔跑； 却像萤火虫，在闪耀时绽放光芒； 梦幻光影，奇幻泡影，星星点点； 在奇幻的世界渴望保护他们所感知的美好。 水磨石、质感面料、细腻皮革， 通透彩色琉璃塑造现代质感， 结合童趣而自然的明亮色彩， 大胆果敢的撞色，散落空间的点点光影， 空间整体感得到提升，营造趣味奇幻氛围感。 穿梭其中，你会发现， 每个区域看似分割相离，实际上却是相互连通， 无限的形状没有开始也没有结束，象征着生命周期， 尤其是身体和精神存在的重复和持续循环。 艺术装置以亚克力材质进行呈现， 尽显空间质感，点线面以按其法则， 以不规则方式陈列展示，再结合行线条光， 勾勒出空间的几何之美， 营造出宁静且深远的艺术氛围，引发无限想象。

PINE&DINE位于马道街25号，前身是一处老旧的平房民宅。初见时斑驳飞翘的门檐尚可看出昔日城南旧影，然而脱落的墙皮下裸露出年深日久的青砖。沿着周遭走一趟，时间的力量让人感叹。如今这些传统民居行近暮年，但文脉下的市井风貌与街巷肌理依然清晰且深刻。这样一个项目改造成西式餐吧，意味着我们要做出不悖于历史文化、建筑美学，同时又让此老宅重新焕发出新生能量与朝气，并使两者充分融合的二次创作。 行至院外，低矮的青砖围墙与瓦檐保持了原建筑的质朴，设计师用建筑的原姿态回应了它的时间印；在尽量保留原本特质的同时，也延续出新形态，并以时间为轴，将两者在同一空间充分融合，衍生出全新的生长维度，吸引人们想去一探究竟，倾听年代的故事。 步入屋中，原先的三进民居被打通，将视觉拉伸。裸露的原始结构体、原木色的承重柱与周围洁白的墙体，水磨石地面，木质餐桌椅相得益彰。悬挂的白色丝质吊灯，打破高度的整齐，让高挑的空间变得灵动，木质大落地窗和局部透明钢化玻璃的顶棚让自然光流淌入内，将店堂映得既明且亮；根据日光的角度变换，照射在店内不同材质上所呈现出的色泽不尽相同，犹如一层温柔的滤镜，赋予空间更美好的可视性，使整个空间关系和谐有序。 中庭留有老宅的院落，原建筑的青砖墙下，是青石子铺成的地面，石子堆砌中是一口保留完好的古井，年代所产生的苍力与厚重感，越发弥散院中，岁月的产物，让人心生欢喜和敬意。 Pine&Dine日间提供BRUNCH、COFFEE、CAKE，晚间开放融合西餐与鸡尾酒吧。根据不同的使用属性，采取复合式空间布局，促进了场地，食物，时间等一系列的概念相互关联。 打破常规，将吧台放置二层，犹如童年的树屋，充满故事性，也契合酒吧的名字，TheDen 意为巢穴；悬空座椅引人想象，“敬往事一杯酒，故事和你都不留”画面感十足。 整个空间古朴、温暾、安逸，给人以“岁绵长而不见”的熨帖感，而简洁的造型、利落的线条和折衷主义的风格家具，搭配形态各异的绿植，则又让餐厅体现出优雅的时尚气息，新旧关系下的时间概念倏然变得模糊而隐约。 食以果腹，亦为悦己。原先旧影斑驳的老宅终得归宿，也拥有了新生的羽翼。