空间从开放的等待区开始，吊顶上悬挂着巨大的沉箱结构，通过红色打开了四季民福特有的温暖气氛。雕塑般的倒置模块聚集了食客和人气。镜面将中央景观投射到屋顶，垂直拉伸视线。在这里，可以获得比户外花园更好的令人满意的体验。当人们习惯了高密度的生活和饮食环境时，独立占据整个区域的水景和岩石甚至变得有点奢侈。在餐厅里，食客们可以重拾与水相处的乐趣，悬挂的柿子树枝勾起了童年在院子里生活的回忆。延续四季民福的品牌理念，将细密的北京紫禁城金砖和灰色调的黑砖结合，再加上大面积预留的清水泥素墙，构成空间调色板。在近乎宏大的场景中，庄严而寂静的空间，粗犷而柔和的质感，潺潺的流水，日常的情绪叠加在一起，和平与优雅并存于此。  

Space starts from the open waiting area, where the huge caisson structure hanging from the ceiling opens up the warm atmosphere exclusive to Siji Minfu through red color. The sculptural upside-down module gathers the diners and popularity. The mirror surface projects the central landscape to the roof, stretching the sight vertically. Here and now, a satisfying experience better than that of an outdoor garden can be achieved.When people have become accustomed to the high-density living and dining environment, the waterscape and rocks that occupy the entire area independently are even a bit extravagant. In the restaurant, diners can regain the fun of getting along with water, and the hanging branches of persimmons recall the childhood memories of life in the courtyard.Continuing the brand concept of Siji Minfu, the dense and fine-grained Forbidden City gold bricks and the gray-toned black bricks of Beijing residential buildings, together with the large-area reserved clear cement plain wall, form the space palette. In the almost grand scene, the solemn and silent space, the rough and gentle texture, the gurgling water, and the daily emotions are superimposed, and peace and grace coexist in the place.

空间从开放的等待区开始，吊顶上悬挂着巨大的沉箱结构，通过红色打开了四季民福特有的温暖气氛。雕塑般的倒置模块聚集了食客和人气。镜面将中央景观投射到屋顶，垂直拉伸视线。在这里，可以获得比户外花园更好的令人满意的体验。

当人们习惯了高密度的生活和饮食环境时，独立占据整个区域的水景和岩石甚至变得有点奢侈。在餐厅里，食客们可以重拾与水相处的乐趣，悬挂的柿子树枝勾起了童年在院子里生活的回忆。

延续四季民福的品牌理念，将细密的北京紫禁城金砖和灰色调的黑砖结合，再加上大面积预留的清水泥素墙，构成空间调色板。在近乎宏大的场景中，庄严而寂静的空间，粗犷而柔和的质感，潺潺的流水，日常的情绪叠加在一起，和平与优雅并存于此。

Space starts from the open waiting area, where the huge caisson structure hanging from the ceiling opens up the warm atmosphere exclusive to Siji Minfu through red color. The sculptural upside-down module gathers the diners and popularity. The mirror surface projects the central landscape to the roof, stretching the sight vertically. Here and now, a satisfying experience better than that of an outdoor garden can be achieved.

When people have become accustomed to the high-density living and dining environment, the waterscape and rocks that occupy the entire area independently are even a bit extravagant. In the restaurant, diners can regain the fun of getting along with water, and the hanging branches of persimmons recall the childhood memories of life in the courtyard.

Continuing the brand concept of Siji Minfu, the dense and fine-grained Forbidden City gold bricks and the gray-toned black bricks of Beijing residential buildings, together with the large-area reserved clear cement plain wall, form the space palette. In the almost grand scene, the solemn and silent space, the rough and gentle texture, the gurgling water, and the daily emotions are superimposed, and peace and grace coexist in the place.

易间咖啡是中国网易(NASDAQ：NTES)旗下的咖啡品牌。它位于上海一个世纪前法国人在这里定居的巨鹿路。梧桐树让街道两旁的小西式建筑显得格外宁静。该地点的建筑风格灵感来自于 1930 年代建造的中法公寓。

为了表达易间专注于生产高品质咖啡的态度，我们希望营造一个品尝高品质咖啡的理想场所，因此我们创造了将一个干净的木箱嵌入城市混乱的混凝土地面的概念。

一个简单的木箱，一张长长的吧台，看似简单却复杂。牵手穿过小巷，感受四季的落叶。在一个空间里，你将开始品味着千万思绪。

Yijian Cafe is a coffee brand owned by China NetEase (NASDAQ: NTES). It is located in Shanghai JuLu Road, where the French settled a century ago. The parasole tree makes the small, western buildings on both sides of the street appear rather serene. The location's architecture style takes inspiration from the Sino-French apartments built in the 1930s.

In order to express Yijian's attitude of focusing on producing high-quality coffee, we hope to create an atmosphere a perfect place for high-quality coffee tasting, therefore we created the concept of using a clean wooden box embedded in the city's chaotic concrete ground.

A simple wooden box, a long bar table, it appears simple yet complex. Pass through the alleys while holding hands, and feel the fallen leaves of the four seasons. You will begin to feel the many emotions, within a single space.

该餐厅在环境方面之前的结构与其本质几乎没有视觉和物理上的联系。这个设计力求体现的是餐厅和海岸线的融合。餐厅和大海之间的连接是一条从入口到码头的圆形通道。码头是完全便携的，由可堆肥的有机材料制成。餐厅的室内区域与海洋之间的空间被设计成一个包含餐厅室外区域和景观设计的景观。景观规划中的曲线为户外用餐者提供了舒适的休息室，让他们在享受半私人聚会的同时，可以凝视大海的地平线。面向景观层和大海的连续玻璃幕墙是充分利用全景作为视觉透明度手段的另一种表现形式。

With regard to the environment, the previous structure of the restaurant was isolated with next to nothing visual and physical connection with its nature. What this design strived to manifest was the integration of the restaurant and the coastline. The formal proposal of the link between the restaurant and the sea emerged as a circular path starting from the entrance to a dock. The dock is completely portable made of compostable organic material. The space between the indoor area of the restaurant and the sea was designed as a landscape encompassing the outdoor area of the restaurant and the landscape design. The curvy lines in the plan of the landscape provide cozy lounges for outdoor diners to gaze at the sea horizon while enjoying their semi-private gatherings. A continuous glass fa?ade facing the layers of the landscape and the sea was another formal manifestation of making the most of panoramic view considered as a means of visual transparency.

成都融创水雪乐园综合体的落成使得有一场冰雪永远留在了南方一座叫都江堰的城，凝结为不被季节融化的“奇迹”。

整体设计构思以“康藏祥云”为意象，吸取行云流水的动势，结合川剧脸谱的元素，创造了充满现代感的形象。设计对祥云的意向加以提炼和抽象，将“祥云”的“起”、“承”、“转”、“合”再现和升华，充分表现自然云水的婉转流畅的形态，变幻莫测的感觉。建筑外立面的设计同样借用川剧脸谱的表现手法。作为历代川剧艺人共同创造并传承下来的艺术瑰宝，脸谱深植于具有悠长历史的巴蜀人文的土壤里，是四川的代表性文化元素。弯折，回卷等典型的脸谱用笔在建筑上看似轻描淡写，实则精心推敲布局，达到和谐优美的效果。

The completion of the Chengdu Sunac Water and Snow Park complex has left a piece of ice and snow forever in a city called Dujiangyan in the south, condensing into a "miracle" that is not melted by the seasons.

The overall design concept uses "Kangzang Xiangyun" as the imagery, absorbing the momentum of moving clouds and flowing water, and combining the elements of Sichuan opera facial makeup to create a modern image. The design refines and abstracts the intent of auspicious clouds, reappears and sublimates the "rising", "carrying", "turning" and "combining" of "auspicious clouds", fully expressing the smooth and smooth form of natural clouds and water, and the unpredictable feeling . The design of the building's fa?ade also borrows the expression technique of Sichuan opera facial makeup. As an artistic gem created and passed down by Sichuan opera artists of the past generations, facial makeup is deeply rooted in the soil of the Bashu culture with a long history, and is a representative cultural element of Sichuan. Typical facial makeup pens such as bending and rewinding seem to be an understatement in architecture, but in fact they carefully consider the layout to achieve a harmonious and beautiful effect.

中国四大古典戏剧之一《牡丹亭》是明代著名戏曲家、文学家汤显祖的代表作。大型实景演出“寻梦牡丹亭”选址抚州临川文昌里老街区，旨在活化传统戏剧，结合老宅改造，激活城市更新。传统戏曲与老旧街区只有被活化利用才能长久存留，其文化价值也才能得以充分展现。建筑空间超越了功能本身，通过探究戏曲的抽象知觉与象征意义，达到观者情感与场所精神在一定程度上的统一。

The Peony Pavilion, one of the four great classical operas in China, is the representative work of Tang Xianzu, a famous opera writer of the Ming Dynasty.The live performance“Dream Peony Pavilion”located in the old block of Wenchang, Linchuan, Fuzhou,which was aimed to activate the traditional drama, promote the renovation of folk houses and motivate urban renewal.Only by activating and utilizing the traditional opera and the historical folk houses can remain for a long time, and their cultural value can be fully displayed.The architectural space transcends the function itself. By exploring the abstract perception and symbolic meaning of the opera, the audience’s emotion and the spirit of the place are unified to a certain extent.

表演艺术中心位于大理苍山与洱海之间。建筑轻柔漂浮的屋顶受到了当地自然的启发，宛若苍山映于洱海的倒影，呼应着周围连绵的地形，吸引着游客的来访。表演艺术中心最初的构想主要是源于对当地自然气候环境和由此孕育出的特定文化以及当地人的生存智慧的感悟，它所做的最大努力，就是试图颠覆人们以往的剧场认知，创造一种全新的剧场观念，一种新的剧场经验。

The Performing Arts Center is located between Cangshan Mountain and Erhai Lake in Dali.Inspired by the powerful surrounding landscape, Zhu Pei searched for landscape related references to solve the architectonic challenges for the Performing Arts Center.The original idea of the Performing Arts Center is mainly derived from our perception of the local natural climate environment and the specific culture nurtured from it, as well as the survival wisdom of the locals,Its greatest effort is to try to subvert people's cognition of theater and create a new theater concept and a new theater experience.

该办公空间室内设计面积仅180平米，设计师从传统中汲取灵感，将整个空间看做一个艺术垂片，借鉴古诗中“山际见来烟，竹中窥落日。鸟向檐上飞，云从窗里出”的意境，诠释出一个形态独特的现代化的新中式办公室。

The interior design area of the office space is only 180 square meters. The designer draws inspiration from tradition. Regarding the entire space as an art piece, borrowing from the ancient poem "Smoke from the mountains, and the sunset from the bamboo. Birds fly up to the eaves, clouds come out from the windows" artistic conception, to interpret a modern new Chinese office with a unique form.